Avant-garde and after : rethinking art now /
Material type: TextSeries: Publisher: New York : Upper Saddle River, New Jersey : Harry N. Abrams, Incorporated ; Prentice Hall Inc., [1995]Copyright date: ©1995Description: 176 pages : illustrations (some color) ; 24 cmContent type:- text
- unmediated
- volume
- 0810927071
- 9780810927070
- 0133600416
- 9780133600414
- Geschichte 1970-1994
- 1900-1999
- Postmodernism
- Art, Modern -- 20th century
- Art and society
- Postmodernisme
- Art -- 20e siècle
- Art et société
- Art and society
- Art, Modern
- Postmodernism
- Kunst
- Avant-garde
- Beeldende kunsten
- Art, Modern -- 20th century
- Geschichte 1970-1994
- Art and society
- Art, Modern 20th century
- Geschichte 1970-1995
- Postmodernism
- 709/.04 20
- N6490 .T365 1995
Item type | Current library | Shelving location | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Book | Carleton University, AVRC | Open-stacks | N6490 .T365 1995 (Browse shelf(Opens below)) | Available | 16055000556 |
Includes bibliographical references (page 172) and index.
Introduction: Tradition and Avant-Garde -- 1. Alternatives to Modernism: the 1970s -- A new women's art -- Performance art -- The trials of conceptualism -- The spectre of affirmative painting -- 2. Painting and Politics: 1976-90 -- The return of the figure and of "expression" -- Expressionism contexted -- Something called "post-modernism" -- Painting and "the feminine" -- 3. Stolen Forms: 1976-90 -- Photography and gender -- objects and the market -- Painting and appropriation -- 4. Art within the Museum: the later 1980s -- Culture itself as subject -- Installation as decay -- The curator's part -- The power of the photograph -- A kind of publicity -- 5. Narrating Identity: the early 1990s -- The body and AIDS -- West-coast post-modernism -- Installations and the declasse -- Narrating the body -- The discourse of race -- 6. Coda: Future Prospects.
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