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Underground film; a critical history.

By: Material type: TextTextPublication details: New York : Grove Press, [1970, c1969]Description: 249 pages. illustrations. 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
Subject(s): DDC classification:
  • 791.43
LOC classification:
  • PN1995.9.E96 T9
Contents:
The Underground versus the taboo on reality -- The exploding peephole of the Underground -- Toward exhibition and exhibitionism -- Popularizing peepshows : the infantile gimmick -- No establishment at all? -- Underground climb : from exhibitionism to art -- Underground infantilism : surfacing superstars -- Superstar space : the playroom -- Can the technician escape the Pad? -- The Pad can be commercialized -- Performing children, performing madmen -- The paranoiac : critical kick -- The Pad's predecessor : an archetype -- Underground film is primitive film -- Where the rub is -- The abstractness of avant-gardes -- The avant-garde laboratory -- Dotting the eyes of distortion -- Psychedelic anamorphosis and its lesson -- Dotting the eye of history -- Film aesthetics : rampant and purist -- The plot thickens : but seriously -- The plastic pulse ticks on -- In the Pad : plastique versus surplot -- Hard-core history -- The ethics of film history -- The population explosion and the remedy -- Basic film forms -- History and manifesto -- The shape of things to come? -- Coda -- Filmography.
Holdings
Item type Current library Shelving location Call number Status Date due Barcode
Book Carleton University, AVRC Open-stacks, Pocketbooks PN 1995 T9 (Browse shelf(Opens below)) Available 16050172447

"Filmography": pages 241-249.

The Underground versus the taboo on reality -- The exploding peephole of the Underground -- Toward exhibition and exhibitionism -- Popularizing peepshows : the infantile gimmick -- No establishment at all? -- Underground climb : from exhibitionism to art -- Underground infantilism : surfacing superstars -- Superstar space : the playroom -- Can the technician escape the Pad? -- The Pad can be commercialized -- Performing children, performing madmen -- The paranoiac : critical kick -- The Pad's predecessor : an archetype -- Underground film is primitive film -- Where the rub is -- The abstractness of avant-gardes -- The avant-garde laboratory -- Dotting the eyes of distortion -- Psychedelic anamorphosis and its lesson -- Dotting the eye of history -- Film aesthetics : rampant and purist -- The plot thickens : but seriously -- The plastic pulse ticks on -- In the Pad : plastique versus surplot -- Hard-core history -- The ethics of film history -- The population explosion and the remedy -- Basic film forms -- History and manifesto -- The shape of things to come? -- Coda -- Filmography.

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