Terry J. Jones WORKS 2016 - 2022
Publisher number: CFMDC Publication details: Canadian Filmmakers Distribution Centre 2022Description: 1 videodisc (27min.): sound, colour, b&w: 4 3/4 inContent type:- two-dimensional moving image
- video
- videodisc
- Terry J. Jones
- Memory
- Traditional knowledge
- Storytelling
- Families
- Indigenous peoples -- Social life and customs
- Seneca -- Social life and customs
- Archives
- Death
- Bereavement
- Photography
- Collective memory
- Language
- Off-reservation boarding schools
- Assimilation (Sociology)
- Indigenous peoples -- Cultural assimilation
- Generational trauma
- Residential schools
- United States -- New York (State)
- Seneca Nation
Item type | Current library | Collection | Shelving location | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Video Recording | Carleton University, AVRC | Blu-ray Disc (Requires Blu-ray Player) | SP456 - Collections Room | BLU-00642 (Browse shelf(Opens below)) | Not For Loan | 16050316619 |
Titles from Container, custom collection, licensed for education use only / Terry Jones (Seneca Nation - Wolf Clan), James Jones (Seneca Nation - Turtle clan), Govind Deecee,
USA.
1 Soup for My Brother (2016) 2 Empire State (2017) 3 [untitled & unlabeled] (2016) 4 Ode to the Nine (2018) 5 GIK:SKWOD (2019)6 Savage / Future (2022) USA / 27 min / sound / colour and b&w / CFMDC / Licensed for educational use only
Soup For My Brother : is a short documentary about tradition, brotherly love and loss /
Empire State : As an Elder goes about preparing wild onions and corn, the outside world infiltrates through the TV: the fall of the Twin Towers, the hit on Baghdad, and the first death of a Native American soldier overseas
A subtly poignant film that simply told gives strength to the old man and to those who bear witness /
[Untitled & Unlabeled] : is a short experimental documentary about the director's experience growing up on an American Indian reservation /
Ode to the Nine : Influenced by artist Jon Rafman, director Terry Jones reflects on the idea of the moving image as archive/object and what this means to the larger Indigenous experience of past-present-future within the digital age of archive-save-store /
GIK:SKWOD : Walter Murch’s editing concept is used to tell the story of how director Terry Jones lost his Native American “Indian” name /
Savage / Future : Editing to the soundscape of shaking Iroquois white corn and tapping, Seneca filmmaker Terry Jones uses personal and historical still images to link his family and the American Indian Boarding School experience /
english,
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